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USA - 1985
Charley is persuaded of it, his new neighbor is a vampire. Obviously, nobody believes him, neither his mother, nor his girlfriend, nor the police force. His only salvation could come from Peter Vincent, a has-been Z-series actor reconverted into a TV presenter.
Fright Night
USA - 1985
Directing by: Tom Holland
Writing: Tom Holland
Cinematography: Jan Kiesser
Music: Brad Fiedel
Produced by: Herb Jaffe
Cast: William Ragsdale, Chris Sarandon, Roddy McDowall…
International sales: Park Circus
Language : English // Subtitles : French
Writing: Tom Holland
Cinematography: Jan Kiesser
Music: Brad Fiedel
Produced by: Herb Jaffe
Cast: William Ragsdale, Chris Sarandon, Roddy McDowall…
International sales: Park Circus
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Saturday December 04th 2021 12:00 AM
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Vampire, vous avez dit vampire ?
Charley is persuaded of it, his new neighbor is a vampire. Obviously, nobody believes him, neither his mother, nor his girlfriend, nor the police force. His only salvation could come from Peter Vincent, a has-been Z-series actor reconverted into a TV presenter.
Max Linder Panorama
Legally restricted to persons over 16
Lenght : 106 min // Ratio : 2.35 // Format : dcpLanguage : English // Subtitles : French
Charley is persuaded of it, his new neighbor is a vampire. Obviously, nobody believes him, neither his mother, nor his girlfriend, nor the police force. His only salvation could come from Peter Vincent, a has-been Z-series actor reconverted into a TV presenter.
Prolific screenwriter (Class 1984, Psycho II...), Tom Holland moves on to directing in conditions that are all the more comfortable since his project is not really the studio's priority. He thus has all the latitude to create a model of 1980s B-movie fantasy, with particularly careful special effects and characters as unsympathetic as they are endearing. William Ragsdale is a perfect knucklehead, Chris Sarandon rolls around like there's no tomorrow (Colin Farrell will have the hardest time making you forget him in the pitiful remake), and Roddy McDowall is simply marvellous as an old faded glory of exploitation.